L. Nowlin Gallery, The Portrait Group Exhibition, Austin, Texas, July 7 – August 14, 2010

The Foundry Photojournalism Workshop 2010 in Istanbul was a blast. I meet so many incredibly talented people and I can’t wait until the next Foundry workshop which will take place in Buenos Aires, Argentina.
Faces from Around the World – Foundry Workshop 2010 from Foundry Workshop on Vimeo.
Portfolio Reviews – Foundry 2010 from Foundry Photojournalism Workshop on Vimeo.
Tips for Photo Workshop Students from Foundry Workshop on Vimeo.
“How hungry can we get? We are hungry for larger servings, more gadgets and bigger cars. Meanwhile, large parts of the world’s population are suffering from a different kind of hunger.
The photographer Jens Assur wants to initiate a discussion. How are we and the planet to survive? How should the environment and the economy interact?
Jens Assur is one of Sweden’s most well-known press photographers. Since the 1990s, he has produced several acclaimed photo reportages and exhibitions. His pictures have a message that is often forcefully conveyed.”
Hunger, exhibition at Kulturhuset, Stockholm, 29 May – 26 September 2010


“An artist can show things that other people are terrified of expressing.” –Louise Bourgeois (25 December 1911 – 31 May 2010)

MW
How did it come about that you achieved the status of successful, professional photographer? What steps were involved in reaching your level of success?
HW
I am not sure if I am successful professional photographer. If “successful professional” means I can live a good, somewhat luxurious, life by the profession, then I am certainly not. I am represented by well-established galleries in New York, Chicago, Santa Fe, Los Angeles, and others, and I sell decent number of work every month. But fine art photography requires a lot of money to produce. I spend a lot for films and prints and also traveling. I work full time 5 days a week and I don’t do anything else. My expenses are almost as high as my photography income and I have so little left at the end even when I am lucky. So, maybe I am not qualified to answer this question. Then why am I doing photography? I think it is a combination of passion and stupidity. For me, photography is intellectual, artistic, and curiosity fulfilling. I love making photographs.
Read the full interview on Two Way Lens:
Selected Winners
|
Honourable Mentions
|
Selected Winners
|
Honourable Mentions
Bright Spark Award
|
Selected Winners
|
Honourable Mentions
|
Burn Magazine will start paying contributors :
“starting on July 1, 2010 Burn Magazine will start paying for every essay and single published online in our magazine….
we will have to start with a token payment of $500. per essay for one time use rights on work that comes to us through submissions…more for a first time exclusive….we are confident this number will rise significantly as we seek outside support….now we are doing this with your money….a big circle….the right thing to do in this nebulous time in the world of publishing…
Burn will not last forever…Burn will always be small….we only care about one thing at Burn and it matches the way i feel about everything i do…i just want Burn to set high standards and live by example…and in this case hopefully stimulate the “big guys” to follow suit…the large media companies , even with advertising for support , are thinking of every way possible to keep from paying photographers for online content, and we at Burn are thinking of every way possible to make sure the young photojournalists and artists of our time are compensated for their work….so, this is our brick in the wall…and oh yes, i am still working on assignments for Burn readers and icons as well…be patient, this is part of it…this is how it will happen….
photography has never been a professional choice either craft or art where people were expecting to become wealthy…photographers work from their deepest passions, either artistic or journalistic…yet, compensation so that they may continue their passion and yet feed their families seems to me to be fair enough….”

Women in Photography is pleased to announce the 2010 WIP–LTI / Lightside Individual Project Grant, funded by LTI / Lightside Photographic Services with guest judge Karen Irvine. The $3,000 grant award will provide funding to one female photographer to support project costs. In addition, WIPNYC is excited to announce the 2010 WIP–LTI / Lightside Materials Grant, funded by Kodak. This grant provides $1,000 in Kodak materials selected by the grant recipient.
Grant opens Tuesday, June 1st, 2010.
Deadline: Thursday, July 15th, 2010, 11:59 P.M. PST
Guest Judge:
Karen Irvine, Curator and Manager of Publications of the Museum of Contemporary Photography, Columbia College Chicago will judge the 2010 WIP–LTI/Lightside Individual Project Grant. Karen Irvine has organized numerous one-person exhibitions including: Anthony Goicolea; Shirana Shahbazi: Goftare Nik/Good Words; Paul Shambroom:Evidence of Democracy; Alec Soth: Sleeping by the Mississippi, and Sarah Pickering: Incident Control. Thematic group exhibitions include Audible Imagery: Sound and Photography; The Furtive Gaze, works by artists who use the camera as an instrument of surveillance; Camera/Action: Performance and Photography; and Anticipation, exploring strategies of slowness and suspense in time-based art. She is a part time instructor of photography at Columbia College Chicago. She received her MFA in photography from FAMU, Prague, and a Masters of Arts (MA) degree in art history at the University of Illinois, Chicago.
Awards:
WIP–LTI / Lightside Grant: $3,000. One grant awarded.
WIP–LTI / Lightside Materials Grant: $1,000 in Kodak materials selected by the grant recipient. One grant awarded.
Application Opens:
Wednesday, June 1, 2010 12 A.M. Link to online application will be made available on wipnyc.org.
Grant Announcement:
The grant announcement will be made online September 1, 2010. Any additional events will be announced. In addition, the grant recipient’s work will be featured in a wipnyc.org online solo showcase during the month of September.
Applicant Eligibility:
Applications will only be accepted from photographers who are at least 18 years old, and who are NOT currently enrolled in any full-time or part-time degree program.
Project Eligibility:
Projects submitted for consideration can be new or ongoing. Applicants should submit no more than one proposal in support of one project.
Review Process:
Projects will be reviewed for visual and conceptual strength, rigor of purpose, and clarity of stated project goals.
Submission Guidelines:
WIPNY will only accept online submissions.
Grant guidlines can be viewed at wipnyc.org/grant
Applications will be available online June 1st
** For grant submission questions please visit the FAQ section on wipnyc.org for additional info starting June 1st **